OTT JONES - Specializing in Wildlife and Sporting Sculpture
(406) 585-9495 sculptor@ottjones.com

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Philosophy
Resting Place
"Dancing Sandhill"
Sculpture Merit and Waggoner National Bank Awards; Red River Valley Museum 2007 Exhibition (Vernon, TX)

"My approach to sculpture is not to duplicate nature, but rather interpret and convey it through various artistic components. The first component is inspiration. I need to have a connection with my subject and be inspired before making a commitment to sculpting it. Inspiration is a direct result of my interaction with wildlife and time spent in the outdoors.

The second component is research which includes observing my subjects afield and gathering reference material - I need to know my subject’s personality to accurately and honestly capture it in sculpture. Knowledge of subtle gestures known to every living species can only be obtained through observation. I use a live model whenever possible. Photography and using subjects I keep in my “road kill freezer” also provide valuable research material. Plain and simple - I must understand anatomy and how it works.

The third component is designing a piece of sculpture. I believe that the essence of a fine piece of work starts with a strong composition and design. To settle on this, I sculpt a loose miniature clay study and only once I am satisfied with this study, do I start my final clay model. A sculpture must have rhythm and have a strong correlation to other key elements including mass, shape, form, line and negative space. How these elements interact with one another determines the strenght of the composition and design.

The fourth component of interpreting nature is how and why I texture a sculpture. For example, while texturing a bird sculpture, I am not concerned with sculpting every last feather but rather sculpting tracts of feathers. I want the viewer to see the simple beauty of the bird’s body - I want the viewer to see and appreciate its form and structure. When texturing a piece, I may use a couple tools but my most often used tool is my hands - I want you to see my fingerprints in the finished bronze - this is the ultimate signature of my artistic expression."



Prarie Winds Sculpture
"Prairie Winds"
Society Of Animal Artists 46th Annual Exhibition (Bennington, VT)
Resting Place
"The Resting Place"
Leonard J. Meiselman Award; Allied Artist Of America 2006 Exhibition (New York, NY) Edition Sold Out
River Clowns Sculpture
"River Clowns"
Allied Artists Of America 2003 Exhibition (New York, NY)
Grand Companion Size I
"Grand Companion" (size I)
Awarded Best of Show; Red River Valley Museum Exhibition 2006 (Vernon, TX)


Publications
  • Shooting Sportsman (January 2009, July 1997)
  • Montana Magazine of Western History (Summer 2002)
  • Gentlemen Farms (Winter 1999)
  • Sporting Classics (November 1998, March 1992)
  • Big Sky Journal (Spring 1995)
  • Art of the West (July 1994, January 1991)
  • Marlin Magazine (November 1991)
  • Wildlife Art News (November 1991)
Representing Ott's Work
  • Alison West Brown (Clearwater, FL)
  • Coeur d’Alene Gallery (Coeur d’Alene, ID)
  • Depot Gallery (Ennis, MT)
  • Paderewski Fine Art (Beaver Creek, CO)
  • Ponderosa Gallery (Hamilton, MT)
  • Russell Fink Gallery (Lorton, VA)
  • Sportsman’s Gallery (Atlanta, GA)
  • The Audubon Gallery (Charleston, SC)

Animal Big Game & Western Birds Fish & Fishing Themes
Game Birds & Dogs Life Size & Garden Sold Out Information Form

OTT JONES SCULPTURE 101 Wildlife Trail Bozeman, MT 59718
406-585-9495 sculptor@ottjones.com